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Boot Camp: Tuesday and Wednesday

Ok, I know I said I would try really hard to post every night while I was at Boot Camp.  Let’s just say that was a foolish assertion.  Anyway, it’s sort of fitting that the posts for yesterday and today are blended into one another, because that is largely how I experienced the days themselves.

Early in the morning on Tuesday, Card did a verbal critique of the original submissions from the Boot Campers.  Here’s what I sent again (or, rather, just the portion we read in class):

*

Harold Forbes sat in the common room at Oaklawn Retirement Home and listened to his fellow residents hash over the death of Marian Billford.  He had already decided to investigate.  Even if he didn’t succeed in solving the murder, Harold thought, at least he might succeed in getting himself killed.

He thought it, but he didn’t say it, and not just because no one would understand.  Harold had no way to express a thought even half that complex.  Full sentences had been lost to him since the stroke, and with them so many things he had once taken for granted:  humor, sarcasm, wordplay.  For Harold speech had been reduced to a word here and there, which came out soft and slurred and occasionally unrelated to the word he’d intended.  Also gone was the ability to communicate without speech, with just a narrowing of his eyes or a twist of his lips.  Though really, that had died with Rose.

He had learned of Marian’s death from Gina, his favorite therapist, while she had him helpless on the exercise mat that morning.  “It seems she died in her sleep,” Gina told him.

Harold, lying on his back, managed a sloppy “Sorry.”

“For her, or for yourself?”  Gina arched an eyebrow, along with all the hardware attached to it.  Harold knew the two rings through each brow were meant to make Gina look tough.  But to him, they merely made her look young.  Still, Gina was perceptive, and she pulled no punches.  That was why Harold liked her.

*

Card, who evidently read the stories blind and didn’t know whose was whose, said, that it was quite a challenge I had set for myself, that of the mystery-solving stroke victim.  “I read this and I thought, this guy is the bravest idiot I have ever seen.”

And I sat in the front row trying not to beam.

Later in the day, several people read aloud the story ideas we came up with on Monday night.  I was one of the people who got to go up on stage and read from my card.  It went something like this:

“A glass maker is building the stained glass windows for a new cathedral.  While working, he hears a woman moaning and concludes there must be a ghost on the premises—perhaps the ghost of his daughter, for whose death he feels responsible.  Eventually he finds a girl who the priest has buried alive in the foundation.  The priest entombed her there because she was pregnant with his child, and she threatened to expose him as unchaste.”

I stopped reading, and about three people said, “And then?”

And I realized that, yes, I had forgotten to include one last, hugely important sentence:  “He rescues her.”

(I forgot to put it on the card, too, so please understand that I am not saying that I am merely guilty of stage fright.  I am also guilty of being a moron.)

And then the audience happily shredded the story idea and picked it apart bit by bit.  I was hugely grateful to be one of the people who got to do this in front of Card, who is just incredibly well-informed and had a lot of valuable stuff to say.  So did many members of the audience.  All in all, it was kinda embarrassing, but thoroughly great.

After six or seven of us went through this process, we broke into small groups and did the same thing to each others’ stories.  I was really impressed by the quality of the story seeds my peers had come up with.  If other groups had material that good, there should be a staggering number of excellent stories written in the next couple of months.

Then we went back to the lecture hall for more lecturing, this time on the business of being a writer.  After this, Card gave us Boot Campers our assignment for the next day:  we would each write a complete story based on one of our five story seeds.  In truth, we had known this was coming, so no one was exactly surprised.  Perhaps we were a little dismayed.  The stories would be due at 4:00 the next afternoon, just shy of twenty-four hours from the time the assignment was given.  After that the Writing Class students went back for more of the business lecture, but most if not all of us Boot Campers headed back to the dorms to contemplate our doom.

The story I wound up writing was the same one I had critiqued by the workshop at large.  Or, a version of it.  All of the elements are still there:  the daughter, the cathedral, the murder.  But they are very, well, different from what I originally wrote down.  Twisted.  Better.

I worked on that story until midnight, then again from five in the morning until 2:30 P.M.  I am very possibly in love with it.  It is nothing like what I have written before, and I have nary a clue about where to sell it.  But it is whole, it is complete, and it might be very nearly as good as I meant it to be.  And though I’m not sure I can say in a sentence exactly what the moral is, I know that it speaks about things that mean something to me.  The characters are very unlike me, but they strike close to the place where I live.

And I realized after finishing it that this is what I want my life to be.  I want to wake up early, write a kick-ass story, and then, I dunno, have a nap or something.  The point is, I want to write like this, and not just for one week.  While I was writing that story I was tired, hungry, sometimes frustrated, and frequently anxious about time.  But I was never, not for one minute, unhappy.

I am often unhappy when I work.  And now I see that the thing that makes me unhappy is not the work at all, but the idea that keeps flitting through my head of not working.  The questioning of my ability to finish.  The wondering about what else I might be doing, or whether it might be ok to take a break.

If I could, I would arrange to have OSC require a story from me every week, so that I would have the same pressure put upon me that I have had here.  But I honestly cannot see what would be in it for him, so I will have to find another way of replicating this environment.  Whatever happens, I don’t want to lose the memory of today and what it felt like.  I want today to be my life.

First Day of Camp

Whew, what a day!  It’s half past midnight, and I have just now finished my assignments.

OSC is a tremendous lecturer.  I feel like a little girl with a crush.  Not a normal crush, you know, but one of those teacher crushes, where you want to answer every question with, “Well, Orson Scott Card thinks…”  We don’t agree on everything, but that is just because we are both thinking human beings.  I respect the man enormously.

He had several genius things to say, and frankly I wish I had a transcript of the entire day.  A paraphrase of one pearl of wisdom: “Antagonists are dangerous.  If you make them powerful, they can take over the story.  Then suddenly, they’re the protagonist.  Who’s the protagonist of the first three Star Wars films?  Darth Vader.  He’s the one who makes things happen.  Everyone else acts in response to him.”

And I sat there thinking,  Could Fiore be the protagonist of Book 2?  Ooooohhh. Dang.

I am also kicking myself for the moment when he asked, “When a story is told in present tense, what do you know about it immediately?”

It’s literary? I thought.  No, that’s a smart aleck answer.

“It’s literary.”  Sigh.

We had several minor assignments during the day, and tonight we got hit with the big one.  We had to write five story synopses: two from research, two from observations around town, and one from an interview of a stranger.

I knew that last one was coming, because I read Jamie Ford’s blog about his boot camp adventures.  I was Dreading it.  And it was, uh, awkward.  Remember yesterday when I said that writers were awkward?  Well, maybe that was just me.  Anyway, I got through it, and my interview subject was very gracious and informative.

The whole five-story-extravaganza was a very fun exercise, and one I think I’ll do again the next time I’m feeling dry.  It’s kind of a revelation, you know?  You can come up with five decent story ideas on any givin evening.  All you need is someone telling you you have to.

Greetings From Boot Camp

It is official!  I have arrived in lovely Buena Vista, Virginia, home to Orson Scott Card’s Literary Boot Camp.

My dorm room is huge, and I have it all to myself, complete with in-suite bathroom.  Notice that its enormous breadth did not keep me from spreading out my belongings all over it.  I was afraid the largesse of Southern Virginia University’s housing department would leave me with nothing to connect this experience to my old college days, but I was pleased to discover several pleasantly dormy quixotic touches, from the European style shower, to the exposed hardware on the beds, to the fact that the bathroom is the best-lit space.  These definitely made me feel more at home, though I suppose nothing can really replicate my original dorm experience.  I suspect there will be no one begging to crawl through my window to retrieve their volleyball from the roof.

I haven’t met The Man yet, but I did meet several of my co-campers.  So, here’s a little secret.  We writers?  We’re awkward people.  The first hour or so was definitely touch-and-go, conversation wise.  But after a few rounds of “What’s Your Genre?” we settled into a spirited discussion that ranged over such topics as Books With Endings That Totally Blew, Series vs. Standalone, and Twilight: Hot or Not?

I had an awful lot of fun, and am looking forward to getting to know these people better over the next week.  And getting to know their writing.

P.S. If anyone knows how to use a European style shower without creating a small lake on the bathroom floor?  I could use that information.

Temporary Retirement

Only two days until I head off to Orson Scott Card’s Literary Boot Camp!  This Thursday I was so busy I didn’t even think about liveblogging.  It just went clean out of my mind.  Next week I won’t be liveblogging either.  As much fun as it would be to liveblog Boot Camp, it seems like poor workshop etiquette.

The following week, I’ll be home, but I’ll have my entire family visiting.  Liveblogging?  Possible but uncertain.  And the two weeks after that, I’ll be in Portugal.  Probably not liveblogging from there.  So, the upshot of this is, no liveblogging for a while.

Which isn’t to say that you won’t be getting lots of juicy Boot Camp details.  I will try to check in on this blog every night and tell you how things are going in the land of intensive workshopping.

And I’ll be looking good as I do it, since I went to the salon today to get my hair all preened and polished.  Mark said I could put Orson Scott Card on my Celebrity Free Pass List.

I considered.  “Nope,” I said.  “It’s Alton Brown all the way down.”

My name is Jane

And I’m an addict.  A video game addict.

Plenty of my friends, including my beloved Mark, are game programmers, so I am somewhat reluctant to say this next thing I have to say.  But I feel I must tell you, interwebs: video games are a blight on the human condition.

See, here’s how I see it: we, as human beings, are driven to accomplish things.  To make, to create, to do.  It’s a need–one at the very top of Maslow’s Pyramid, but a need just the same. It’s why we write books and compose songs and put people on the freaking moon.

Games fill that need.  Or rather, they provide the illusion of filling it.  In the same way that a Krispy Kreme doughnut is fake food, games are fake accomplishments.

And just as a doughnut is sweeter than any legitimately nourishing food, in-game accomplishments come faster and more reliably than any legitimately nourishing acts.  They fill you up, too.  Who really needs to write a book when you’ve just completed your collection of skull cut gems in the Sims?

Would you like to know how many hours of my time this picture represents? Yeah, so would I.

All of this is my way of saying that if I have one true enemy in my quest to become a published writer, it is EA Studios.  No, wait, it’s Wizards of the Coast.  No, wait, it’s me.

Ramona Quimby, Age Fifty-Five

The new movie based on Beezus and Ramona is out this weekend.  I don’t really know much about it, but I think I can predict it’ll be a big financial success.  As near as I can figure, every little girl has read this book for the last fifty years.  When I posted the following on Facebook:

“Is anyone else annoyed that Hollywood decided to retitle Beezus and Ramona as Ramona and Beezus?”

Five of my women friends were immediately all like, “Yes!  Thank you.”  Years after reading it, we are all still carrying around enormous affection for this book.  Enough that we’re personally offended by what is, when all is said and done, a fairly minor change.

I’m not sure if I’ll see it in theaters, but this week I decided to pick up Ramona’s World, the only Ramona book published after my own childhood.  I’m a few chapters in and, I must confess, not fully engrossed yet.  I guess I am a little old for it.  But it’s got me pondering the following question:

Would Beezus and Ramona be published today?

I mean, all it is is a thoroughly charming story about a precocious little girl and her big sister.  As hooks go, there’s not much of one.  Where are the vampires and the explosions and the ZOMG zombies?  Where is the hook?

Maybe I’m wrong.  Maybe I know jack squat about Middle Grade publishing trends.  But when I imagine the query letter I’d write for Beezus and Ramona, I’m not optimistic about the response.

I don’t know whether a modern day Ramona would ever hit the bookshelves.  But here here are a few things I do know:

  1. If you measure people by the joy they give others, Beverly Cleary’s worth is enormous.
  2. When a property has this much love, adapters would do well to be faithful to the original, and
  3. That teacher should have known she was causing trouble when she told Ramona to “sit here for the present.”  Honestly, what was she thinking?

Liveblogging Friday: More Snow

I’ve spent the past week toiling away on another project, and now I am back to working on Character Storylines for my sequel.  There is a lot of work to be done here, but it is fun work, the kind of work that I most enjoy doing.

3:35 PM: Ok.  I feel like I can really get Gallo nailed down today.  There’s a major hanging plot thread from the last book that he needs wrapped up, as well as the things he’s got going on in this book.  Integrating these things will probably be my toughest challenge, planning-wise.

4: 38 PM: Argh, I am so distracted today!  Ok.  Seriously.  Gallo.

5:31 PM: Break for… uh, a meal.  What do you call a cross between lunch and dinner?

6:28 PM: Back.  So, what I have accomplished so far today is mostly… invisible work.  The sort of stuff that is necessary, but results in absolutely zero words on the page.  As much as I know this part needs to happen, I find it frustrating.  It leaves me feeling like I’ve done a big pile of nothing.

8:41 PM: All right.  That was not the best day of liveblogging.  But I think for better or worse, it’s over.

1. Alternate exercise machine with collecting beetles

Liveblogging Friday This Week

I know, I know, ok? I’m a cheater. But I have something I really need to work on, and I don’t really want to talk about it.

Back tomorrow with lots of livebloging goodness!

Liveblogging Thursday: Character Storylines

Well, here I am, on Step Five of the Snowflake Method.

Can I just say, I am loving it? Here’s the thing about the Snowflake Method: it breaks your novel up into discrete chunks you can deal with. Trust me when I say that you cannot hold the plot of your entire novel in your head. I know it seems like you should be able to, because you can do it with books you’ve read. So why on Earth couldn’t you do it with a book you’re writing?

Well, because there is both more and less detail in your own proto-novel. There’s less detail: that whole muddy stretch where your protagonist Learns Something Crucial. You don’t know exactly what or why, but you know that it advances you to the next plot point. And there’s more detail: that part where the victim’s wife gets killed, except maybe it’s actually his ex-wife, or maybe it’s actually his mistress. And maybe she doesn’t get killed, she just gets beaten into a coma, which leads to that whole plot thread where your character wonders whether she’ll recover in time to name her attacker. There are tons of competing, incomplete plot threads that all exist in parallel in your head, and the whole effect is… well, murky.

Which is sort of what the Snowflake helps you cut through. Today I’ll be working on Step Five, Character Storylines. Basically, I’ll be writing a page that tells the story from the point of view of each of the main characters. This is going to be a hard step, because I have a lot of the story from Kitty’s perspective, but Gallo and Koko each have a strong subplot that is really pretty germinal right now. Also, I’ll need to work through the antagonists’ storylines and make sure everything they do makes sense from their perspectives. Should be fun!

2:59 PM: Having a hard time deciding who to start with. I guess it only makes sense to start with Kitty. She should come together fairly easily.

3:34 PM: Or not.

3:49 PM: Officially opening Excel to begin my first scene-by-scene spreadsheet for Book 2. Exciting!

4:32 PM: Ok, so Kitty’s storyline is done. I guess. It needs more detail, but that’s ok, it’s only supposed to be a one-page overview. Time to move on to Mr. Gallo. This one’s gonna be tough.

5:47 PM: Whoops. I got lost in a rat hole on the internet. Back now.

6:01 PM: Ok. Now I’m back.

6:04 PM: Whew. I just realized there’s a major plot thread that I need to deal with that I completely blanked on. Ok. That should make this harder.

7:40 PM: Ok. I’m in kind of a funk here. I need to find some way to refocus on this task. So, I will take ten minutes and just stream-of-consciousness write. Basically, what I’m working on here is a way to tie up lingering threads from Book One.

7:59 PM: Question: What is melodrama? Is it scenarios that are intended to be dramatic, but fail to resonate because the underlying work of building up the emotions has not been done? Or are there situations that are always melodramatic? Basically I’m asking, can I be all soap opera if I earn it?

8:09 PM: So, the stream-of-consciousness got me thinking about some of the major issues, but it didn’t actually land me anywhere. Stream-of-consciousness writing is basically my way of forcing myself to think. If I think inside my head, my thoughts range all over the place, but if I think with my fingers, I can stay on task. My fingers are easier to discipline.

But, as I said, I am still basically in Murkville. More stream-of-consciousness? Whew, here we go.

8:50 PM: Time for desperate measures.  I’m going to go think in the shower.  Which is another way of saying I’m going to relax for a half an hour.

9:34 PM: All right, nothing really got resolved during that shower, but it was nice all the same.  I think I’m done for the day.  See you next week.

My Cute Little Problem

Adorable, isn’t she?

This picture represents Koko Doyle, one of the four major characters in my book.  She’s a half-Japanese, half-Irish kid, newly orphaned when the book starts.  To say that she is out of place in 1929 Chicago would be putting it mildly.  She is emotionally mature but socially awkward, stoic but very loving. And though she’s not the point of view character, she’s the reason I wrote the book.

Although her relationship with my protagonist forms the emotional core of Book One, it’s fair to say that Koko isn’t the most active character.  In fact, it’s fair to say that she spends a good portion of her time getting rescued.  That is fine, and I think it worked well for Book One.  The problem is Book Two.

I promised myself that in this book, Koko would have a more active role.  I would use her, and not just as motivation for another character.  She would have Stuff to Do.

Problem?  In a book that involves gangsters, shoot outs, police brutality, and a body count of no less than three, there’s not a whole lot for a nine-year-old to do.

Seriously.  What can I do with this kid that doesn’t require her guardian, Kitty, to be either incompetent or wildly irresponsible?  I’m not going to write one of those books where the protagonist takes her kid with her to search the bad guy’s lair. I always want to throw those across the room.

Which means I am left with the following options:

  • Give Koko a storyline that is orthogonal to the main plot but will nevertheless wrap in somehow, perhaps by providing a vital clue
  • Have Koko secretly tag along or otherwise wind up in plot heavy situations through no fault of Kitty
  • Bring a lot of the book’s action into Kitty’s home, and other locales Koko may frequent

Right now I’m leaning toward a medley of all three.  Which I guess is another way of saying that I haven’t really tackled this decision yet. Step #4 of the Snowflake awaits.

(Yeah, I made that picture using the Sims 3.  That’s just the sort of dork I am.)